juan ramos lives on planet earth but channels voices from the aether. this is his first offering for the esp institute. on side a, last of the natives shows us just what we’re dealing with, a master manipulator of sound and consciousness. juan culls the toughest kick drums and thickest latex bass slaps from a deep burial in our psyche and peppers them with alien chants and fleeting electronic flutes—a combustible sense of spontaneity that may at first appear chaotic but after fully immersed in juan’s demented world, we find ourselves willfully under his control. on side b, enemy of enemy is friend also sets off from a disorienting place where a slow progression of acid, shakers and toms takes a good minute to allow us some footing around the groove. once settled into his sophisticated rhythm, juan opens the door to a glorious combination of chords, clanking guitars, shakers that scrub back and forth and the occasional smear of paranormal synth. we at the esp institute are enamored by juan’s seemingly infinite skill for crafting mood and extracting optimism from darkness, but seriously, what color speedotm should she wear this summer?

for fans of : thomas melchior, burial, matthew dear, pional, sepalcure, axel boman, dj koze ...
packaging: brown kraftpack centre hole cuttin
!k7 reintroduce their dj-kicks 12 inch series and with it, the old tradition of releasing original material exclusively premiered through their globally lauded mix series alongside a selection of remixes hand picked by the compiling artist.

double 12 inch vinyl + download code & art print.

territories wold ex france, ex poland the first time ever on vinyl: the original soundtrack of zbigniew preisner /kieslowski / 3 clolours / trois coulours / 3 farben: blue / bleu / blau 1lp+cd

introducing dylan stark. 2015s most deserving anti-hero. his quiet rebellion starts here. tropical, celebratory and alive, heartland sounds a like parade and a jungle. it has the cant quite put your finger on it, coming of age pureness of grimes, and the raw emotion of a burial record (but in a joyous way). it is pc music plus animal collective.
the double vinyl lp includes a download code.

the audible doctor has produced records for 50 cent, smoke dza, joell ortiz (slaughterhouse), consequence & john legend, onyx, astro, fredro starr, bumpy knuckles, sadat x & a.g., emc (masta ace, punchline, wordsworth & stricklin), reks, tragedy khadafi, evitan (dres of black sheep & jarobi of a tribe called quest), neek the exotic, homeboy sandman, blacastan, j-live & many more.
pressing on blue colored & multicolor marbled vinyl.

totally fresh 4 track 12 by ethiopian born and based artist mikael seifu - bluntly put under the house tag here, but in fact a melting pot of styles is coming together on this beauty. limited pressing. born and raised in addis ababa, seifu attended the french school lycee guebre-mariam as a child, and went on to study music production at ramapo college of new jersey. mikael seifu is an electronic music producer & performer from ethiopia. seifus music is a fusion of ethiopian folk, uk garage & his own dream brew, which he calls ethiopian electronic. his debut ep, yarada lij, draws from a long list of musical influences including endeguena mulu, ben neill, burial, zion rebels, and r.f. 1432 r is an independent record label based in washington dc.

the sophomore release from ali wells new specialty imprint submit, feral grind (submit002) collects tracks from a wide swath of producers who operate at the intersection of techno, drone and diy electronics. curated by wells and music journalist justin farrar, the compilation features a balanced assortment of well-established innovators and under-the-radar sound explorers. the names pete swanson, prostitutes, burial hex, profligate, bleaching agent, hive mind and indignant senility will certainly be familiar to those who keep abreast of the latest developments in cutting-edge electronic music.

or the latest apartment release 2 interplanetary gangs come face to face in a techno battle for the ages.hailing from the phantom planet we come across forsh, bin man and the red defender, a trio of rebel outlaws whose spaceship is under fierce attack from the muscle patrol, the hi-tech galaxys ultimate and most fearsome tool of oppression. following wave upon wave of acid attack, the outlaws are forced to eject from their ship, landing on a mysterious jungle planet.. unbeknownst to them, the trio have landed on huguenot, infamous for its ghostly shark creatures which rise up to hunt the living…and they smell fresh meat.. meanwhile, travelling across deepest space aboard the viceroy 9-c we find the dean of threenie and e-d aka the beets. they are 2 disparate characters from the planet tr one, infamous for its greenlight sector, a nefarious haven for low-life traders and smugglers. the duo traverse the galaxy in search of rare treasures to capture and trade back on home soil. unlike the phantom planet outlaws, these two know what awaits them on huguenot…or do they.will the beets save the phantom planet outlaws from the bloodlusting creatures of huguenot? will they sell them out to the muscle patrol? or will they join forces to rid the galaxy of its most fierce oppressors? the black gold sat upon your turntable contains all the answers…and more

following the success of factors compilations chandelier and lawson graham, the beatsmith embarked on a concept record in the vein of a prince among thieves and wound up with the melodic, complex symphony of woke up alone, mixed by factor himself at his home studio and featuring roles played by ceschi, open mike eagle, onry ozzborn, myka 9 and astronautalis. factors relatable allegory, scored by swirling synths, samples and live instrumentation, extends well beyond necromancy, as multitudes upon multitudes have gazed haphazardly in the rear view mirror and tried to resuscitate that which is irreparably gone.
code for free download of the full album included.

james holden präsentiert den nachfolger seines 2006er debüts the idiots are winning, das vom guardian damals als das spektakulärste electronica-debütalbum seit boards of canadas music has the right to children bezeichnet wurde. auf the inheritors erforscht holden weiterhin die (un-)tiefen der elektronischen musik und liefert eine ausgewogene balance zwischen brachialen experimenten und transformativen trips.

sounds tumbling over each other with awkward grace like some sort of parkour ballet in turns evokes firebrands like tim hecker, burial, and tom jenkinson. limited pressing, vinyl only, full-colour hand-made jackets (spray-painted).

the second release from unknown is a vinyl only release ... busy working on an album the four tracks here are part of his #001-#010 series that heralded his existence on youtube. aside from remixes .. this is the only unknown material that will be available until a new ep and album in the spring and later part of the year .. these tracks were not due for release but he has received a large number of mails enquiring about a release date for them so here is the limited vinyl .

limited collectors edition - half speed remastered for optimum audiophile reproduction, pressed on virgin 180 gram heavyweight vinyl. plus 20 track bonus mix-cd *cinematic orchestra - latenighttales* and high quality 30cm art print.

limited to 200 copies in innocent white vinyl ! fantastic burial style, just listen - no more words necessary

it is a cold dark winter – snow is lying everywhere. simon12345 and the lazer twins are heading up north into a little wooden house in the northern parts of denmark. they will live there for the next weeks and build up a temporary studio in this secluded cottage. simon has got a handful of sketches with him. musical states of mind and conceptual games he developed over the last years. basically the idea is to develop something truly unique and powerful – although none of them knows how that will sound exactly or what will happen in particular during this time. it is not even clear who plays which instrument, who will do what…nothing is set. the only thing clear is that they have things to say, things that have been burning in them for so long now. tell me. how can (mostly) instrumental music suggest a way of life? how can you criticize without pointing at something particular? how can music transport you into place of quietness and self reflection?

with releases as rare as a week of sunshine in london, and a profile that makes burial look press hungry, it is with great pleasure we give you joes first tracks of 2012. two wickedly sleazy and satisfyingly peculiar tunes that as you would expect, completely defy categorisation.
mb - a loopy, sleazy, slo-mo roller with the slinkiest guitar lick riding a big-boned bassline. as with all of joes tunes, a little = a lot.
studio power on - the sounds of 94 jungle smashed to bits, thrown around a studio and taped back together for 2012.

the second in the series of 12 inch samplers featuring present and future classics from brooklyns monthly party, life, spring sampler 2012 #2 picks up where the first installment left off, deeper into the rabbits hole of the all-night underground parties at the infamous dope jams. curators and residents slow to speak offer here 3 remixes and re-imaginings of some of the finest technoid sleaze, haunted vocal anthemics and zulu-nation-endorsed hip-house perfection. spring sampler 2012 #2 is a snapshot of a life party at its most elevated, after the initiation and immersion is complete, the core party people convened, the sacramental beverages consumed and the full peak of the party unfolded in its full spectacle. previously, these exclusive versions have remained in the vault for protected and exclusive use by the life residents. made available through these limited samplers, slow to speak opens up for a rare snapshot into the heart and soul of their program—militant musical theses that drive these parties and make them something more special than the typical dance music burial rite.
comes on transparent orange-red, marbled vinyl.

vinyl only! deep spaced-out dub grooves by rhauder feat. paul st. hilaire (rhythm & sound / burial)

this masterpiece was produced by st. petersburg based musician alexey nikitin aka nocow for the siberian label gimme5. the lp version will be released as coloured vinyl by fauxpas musik. this picture-perfect album with twelve tracks holds a special vision of perfection. rumbling beats just as burial, the melodies, dubs and sounds though seem to evolve a life of its own and in the end you are overwhelmed by the dimensions of these tracks. vinyl tastes better.

having hinted at upcoming collaborations on blkrtz over the last months in several interviews, deadbeat finally makes good on his promises offering an epic piece of heaviest dub business featuring the unmistakable vocoder stylings of canadian danuel tate of cobblestone jazz fame. title track lazy jane locks in a murderously tight 135 bpm steppers rhythm sure to appeal to fans of both the burial mix series and malas most head down exploits for dmz alike, with tates heaven streaking vocal elevating it to the realm of instant classic from the very first drop. the flipside s 909 dub meanwhile sends the originals synth and vocal lines deep into the echo chamber atop a reinforced version of the bass line and unrelenting 909 drum pattern to create the most classist, purified slice of big room dub techno you are likely to here all year.

memory ist nicht unbedingt eine abkehr von lazer swords frühen stücken, aber diejenigen, die peitschende hip hop-beats und gecuttete vibes erwarten, werden überrascht sein: antaeus roy (aka lando kal, neuberliner) und bryant rutledge (aka low limit, san francisco) haben sich zurückgenommen, aber gleichzeitig ihre soundpalette erweitert. sie präsentieren eine schlankere, sexiere, cluborientiertere version von lazer sword, die auf 80er electro, detroit techno und verschiedene uk futurism-einflüsse zurückgreift. die palette reicht von klassischem techno, über einflüsse von juke und footwork, infiziös-mutiertem 80er freestyle bis zu gastproduzent jimmy edgar mit seinen berühmt-berüchtigten roboter-sex-vibes.

south london producer darren cunninghams new album, r.i.p, underlines actresss reputation as one of the most eloquent voices to emerge from the sub-bass nexus of london dance music. his intuitive and original grasp of beats, textures and rhythm puts him on a parallel path to dance music innovators such as drexciya, t++, aphex twin, autechre, burial and basic channel. absolutely essential release by one of the most exciting producers of the 21st century.

excellent atmospheric / dubstep... little bit burial feel

the first two solo albums by peter tosh on columbia records were cornerstones of the roots-rock-reggae movement: >legalize it< (1976) and >equal rights< (1977).
thirty-five years have passed since the release of >legalize it< , toshs first album as a solo artist after more than a decade in the wailers with bob marley and bunny livingston. music on vinyl brings it back with remastered audio on 180 grams audiophile vinyl, including 6 bonus dub tracksand 2 insert sheets.

this single will be advertised in the wire 378 august 2015-05-25 in a full color quarter page ad.
originally released in november 2011, this is the very first single ever to appear on the label. it was produced under the heavy influence of the original chicago footworkers like rp boo, whose influence is obvious in the sounddesign. two tracks written and produced by dj kabra and discarga, the man behind duck n’ cover records. both tracks feature a haunting, dark atmosphere. bones is a tribal graveyard stepper, time for a burial. up is a straight battletrack with pondering drum assaults and viscious stabs.

following his release on naked lunch, canadian producer kevin mcphee returns with his first release on bristols idle hands label. >sleep< gives subtle nods to early burial tracks whilst showcasing mcphees individual charm and a contemporary house sound. >house 44< wears influences from actress and herbert on its sleeve, offering a stripped down swagger that travels to deeper tones and soulful tendencies. support from ben ufo on rinse and giles peterson on radio 1.

terror danjah vom renommierten dubstep label hyperdub (u.a. burial, kode9) hat sich dem tune >jump up< von admiral bailey angenommen und das 1987er original (king jammys produziert) in die neuzeit katapultiert!

jin choi is a musician, producer, dj and live artist based in berlin, germany. equally focused on groove and melodic structures, his music fuses electronic and naturalistic sounds to move the head and body. once coined modern minimal, chois productions are equal parts emotion, melody and rhythm. full range is his first release on serialism records. in a recent interview, choi described himself as a burial loving music-nerd who is simply trying to create his own musical language. he has released on lessizmore, contexterrior, romanphoto & archipel, to name a few. for ser10, he joins forces with maceo plex (aka maetrik, the moniker he saves for his darker techno productions) to do just that. most known for his recent revered deep-house single, vibe your love on crosstown, plex makes the release the perfect late-night tool. first up is full range, a dubby tech-house number with ominous and increasingly glitchy repetitive vocals that remind the listener of what choi seems to already know - music is the universal language, music is no longer irrelevant. next, half baked, the eps star, manages to perfectly fuse industrial sounds with melody making a blissed-out, deep- house track. mysterious squeaks, hisses and factorial inner workings provide the backdrop while warm time-stretched freestyle vocals guide us through the production. maceos deep remix is around 9-minutes of chicago house inspired sounds layered with snappy high hats and emotive chords.

>going on< from geeks & gaz is a deep 140bpm roller with rich synth swells and grainy disembodied vocals which lend a washed-out melancholy air, while a limber 2step house rhythm propels a truly transporting five minutes of eyes-closed burial-esque low end groove, making for a track that will hit equal targets on the dancefloor and in the headphones. daily delivers >untitled<, an old-school uk garage-inspired track which comes to life with a slow rising synth line underpinned by a sparse beat, before breaking brightly open into a scene of high pitched buzzing keys and some seriously complex percussive intricacies, rapid on the conga skins and hard down on the blunted kick drum. for further triple-win value, hype west london producer jack dixon offers a jaw-dropping refix of >going on<, massaging the original into a sensuously twisted uk funky / garage hybrid shape, introducing dramatic synth lines, hypnotic vocal stabs, and a hightened detail in the beat programming which somehow increases the tunes club-tooled precision while simultaneously enhancing its wistful and reflective mood.

new kanada enters the emerging spring season with two cuts of hope and despair. on the a-side, adam marshall drops >vamp< - a 12-minute modal jazz monster that winds its way from a bass heavy dub to an swirling psychedelic quilt of sound. dripping modular sequences for girls in white. on the flip, nk presents a cut from toronto-based matt maaskant. >outside the cave< was recorded in his fathers grain silo in northern ontario and evokes smokey post-club memories. murrs delicate, gorgeous mix-down freezes the track into an example of fragile beauty - complete with fuzz clicks, choir ensemble and a deep 808 kick. burial meets bon iver. we are really feeling this one. music to fall out of love to. limited to 250 copies - clear red vinyl edition.

some time last year we had this unknown techno record from these chaps and it sold out within a matter of hours. now we have a new one sounding something like a collaboration between burial and deepchord! same deal as before, strictly limited and only 200 copies.

the final part of the epic remix album. you ve had the burial sampler, youve had the cd, youve had ep1 & ep2 and now its time for the final piece of this massive jigsaw. and what a piece it is marcel dettmann second remix of satellite type 2 is a masterpiece, it captures the essence of the original along with its energy. first class mix from berlins finest. on the flip we have metalheadz new boy pedestrian, and with support from giles peterson and more this guy is really making waves right now. the remix encapsulates the sound of the uk right now, people call it future garage we just call it good music. expect more from pedestrian and metalheadz in the future

another slice of forward thinking electronic west coast dub w/a burial mix vibe w/remixes by berlins elusive suspect & ruoho ruotsi. kush arora takes a more dubstep approach, for a nice twist.

back on friday 17th september (2010)...second single for the hotly tipped london based producer pariah on the legendary r&s record label. parishs debut single detroit falls/ orpheus gained the young producer many high profile fans including rob da bank, mary ann hobbs, ramadanman, untold, len faki, appleblim, chris duckenfield and will saul amongst many others. the first ep also found its way onto high profile, and influential blogs and websites including pitchfork, fact, gorilla vs bear, no pain in pop and rcrd lbl, and was a recommended release at boomkat. the debut single contained the first two pariah tracks ever recorded and were instantly recognisable as referencing the hip hop beat collages of dilla and the moody atmospheric 2 step rhythms of burial. this doublepack sees pariah move further towards developing his own sound, and takes in slamming percussive club tracks, deeper 2 step excursions and downtempo and beatless highlights. early supporters of this release include mary ann hobbs, falty dl, ramadanman, ben ufo, untold and mosca.

fans of burial mix and grayhound best listen up, cause the boys from succulent have come to mash up the hi-fi wit tha wicked dub, man. all three of their pieces use that unbelievably deep sub-bass that made their track on grayhound bug everyone out. pair that to masterful use of effects and proper ly placed samples of rasta mcs and you got that deep down, below the root line, damn its dark, kinda undaground dub shit that worship seem impossible to not do right. then the masters at the dub-house sound, solomonic sound, rework >freshly< into a sub-aquatic fun house of dubbedout bass wicked percussion all wrapped in spacey sounds. big, fat & totally necessary for any self respecting dub/house dj.

for fans from burial... hamburg based fauxpas musik imprint is born to deliver vinyl only high quality music as limited editions. our idea is to share the music we love with our same-minded fellows. as vinyl is the only medium for real listening pleasure both in clubs and at home, you won t find our releases in any other format than vinyl. we are very proud to present our first release with desolates heroic death ep. desolates visonary idea of sound has a tremendous breadth and adroit touch for a producer of his experience, incorporating elements of modern classical with minimized dub, deep house and detroit techno. his outstanding previous releases under other monkiers are set to be future classics

emptyset is a bristol based production project formed by james ginzburg, aka ginz, boss of the multiverse network of labels and paul purgas a longstanding electronic dj/collector and curator of this years we can elude control compilation. their collective agenda has been exploring techno music’s diverse influences and compiling them to a studio template focused on tight production and detailed sound design. inspired by the city’s culture of bass lead production as well as the global resurgence of electronic music, the sound has been described as techno meets dubstep folded back onto techno again, a description which is perhaps the most insightful to date. the project owes credit to the classic releases of m-plant, sahko and chain reaction as well as more recent producers such as alva noto, deathprod and burial. emptyset acts as a research project connecting the ideas of a modern dancefloor with experimental approaches to music and its design.

surprise and super-limited new release from kieran hebden, following up the blink-and-you-will-miss-it collaboration with burial on another mysteriously undorned and brilliant 12 inch for his own text imprint. on >love cry< b/w >our bells<, he succinctly shows both sides of his oeuvre, the lush love of the dancefloor, and a chance to exercise his more esoteric inclinations. the live-sounding drums, gorgeously nuanced textures and blissful samples of >love cry< couldnt really come from anyone else, especially when enveloped well into the track and the vocal loops begin to peel off into a deep house-meets-krautrock coda executed with that signature sleight of hand. if you are only going to put out two 12 inches in a year, youd expect the attention to detail to be high, and here its absolutely exquisite. with >our bells< on the flip he crafts a sublime beatless, gamelan influenced piece, like the kosmiche resonance of the flip is allowed to seep through and glimmer all over the grooves, radiating incandescent ambient harmonics with a lustrous psychedelic blur. seriously righteous wares, for the lovers…(be quick!)

next vinyl only & limited ornaments by rhauder feat paul st. hilaire (rhythm & sound / burial) incl. remixes by daniel stefanik & marko fürstenberg.

canadian house legend jay tripwire brings forth his 1st full ep on tonality an infectious stripped down slice of riddem and dub, this will appeal to the modern daylovers of burial, basic channel, prescription and innervisions. remixes come from bearweasel who have had remixes and trax out on labels like supernature, tsuba, murmur, viva, 8 bit & bloop & deep house dons rurals whose label peng is known worldwide for quality house music. dj support marlon d, nomumbah, osunlade, laurent garnier...

one of the great aspects of the endlessly varying bass music soundwave is the way it seems able, even compelled, to fuse antecedant styles and genres to itself. in the most innovative hands, influences from last month are absorbed and reworked as smoothly as those from last century, and creativity sparks brightest when the marriage of form and function takes place beyond recognised boundaries? and it?s from that unrestricted zone that uk producer o-dessa emerges. opening with an initial resemblance in sound to the same plaintive blue air of burial, as these tracks resonate deeper in the mind, it becomes clear that this sonic affinity is merely a veil beneath which a new heart beats. the rhythms lurking below the bassline in ?deeper? are like some undiscovered amalgam of old skool hardcore and something you might hear on the latest dirty south mixtape, which somehow manage to defy sense and co-exist in a driving and breathtaking way. mournful mariachi horns and a plunging dub bassline intermingle in a desolate approximation of sergio leone?s western soundtracks, while reedy flutes and distant female voices build a swirling vapour through which skittering woodblocks and metallic ticks raise an anxious sense of motion. anchored by a vast, cone-melting sub-bass undertow, ?deeper? s treasures are buried well below the surface. the juxtapositional subtle-tear-out nature of o-dessa?s production is even more apparent in ?million dollarz?, which reveals itself in stages to be a gradual descent into layers of tweaked amen breaks, but with a grandeur unlike anything previously heard, even though that drum pattern has already been chopped countless ways over the years. it?s not until midway through its five-and-a-half minutes that the famous phased snares rise from the dense banks of atmospherics, but when they do, a moment of blurred euphoria hits and the tune bursts into colourful life. this 12¬ is the first broadcast of many more to come from o-dessa, as - like many have in their own way before and still more strive to do so now - he embarks on his individual journey in the continual reinvention of bass music. instant thrill junkies won?t find their fix in these grooves, but followers of the path less travelled will recognise many signs pointing the way to a rich future.

maurizo fans take note, if you re as big a fan of the m series, particularly m5.... do not miss this record. deep, dark dubby house of the highest quality here from mike huckaby essential for fans of rhythm & sound, burial mix, chain reaction... this 12inch contains 2 parts !!! ltd repress

this dutch duo of jeroen liebregts and anton pieete have been causing quite a stir lately with anton teaming up with bart skills for a couple of bomb releases on 100% pure that have absolutely killed it!! jeroen as co owner of audio assault has teamed up here with bart here to create a 4 tracker ot typical drumcode grooves

ltd edition.. burial & modeselktor rmxs

rocky electro/neopop. limited clear vinyl pressing. includes burial dubstep remix

burial, metro area, bear funk & basic channel sind die koordinaten. groovige & originelle slammer!

acid-dub in drei variationen. auch hier gilt: wer burial mag ist hier nicht verkehrt

man versucht ein bißchen wie burial zu klingen. das haut auch ganz gut hin. aber dennoch sehr nett